“Heweliusz” by Netflix. A maritime tragedy revisited on screen

On November 5, 2025, Netflix will premiere Heweliusz, a five-part drama directed by Jan Holoubek, the acclaimed filmmaker behind High Water. Produced by Telemark, the series draws inspiration from the sinking of the Polish ferry Jan Heweliusz, the country’s deadliest post-war maritime disaster, which claimed 55 lives during a violent Baltic storm on the night of January 13–14, 1993.

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12 september 2025   |   11:11   |   Source: Gazeta Morska   |   Prepared by: Kamil Kusier   |   Print

fot. Netflix

fot. Netflix

Rather than a straightforward reconstruction, Heweliusz offers a fictionalized, multi-layered narrative that intertwines a disaster drama with a courtroom saga. The story unfolds both at sea, during the desperate fight for survival, and on land, where survivors, widows, and families of victims face bureaucratic indifference and a decades-long struggle for justice and remembrance.

The cast includes many of Poland’s most prominent actors: Magdalena Różczka, Michał Żurawski, Borys Szyc, Justyna Wasilewska, Konrad Eleryk, Tomasz Schuchardt, Jan Englert, Magdalena Zawadzka, among others. Żurawski portrays Captain Piotr Binter, a sailor torn between loyalty to his late mentor and the pursuit of truth, even at the cost of his own career.

Holoubek and screenwriter Kasper Bajon frame the narrative against the turbulent backdrop of Poland’s early 1990s transition, when state institutions struggled with accountability. A central focus is placed on the women left behind—widows and mothers who, beyond grief, faced systemic neglect and had to fight to preserve the dignity of their loved ones.

Visually and technically, Heweliusz is mounted on an ambitious scale. With cinematography by Bartek Kaczmarek, production design by Marek Warszewski, and costumes by Weronika Orlińska, the creative team reconstructs both the era’s atmosphere and the catastrophe’s intensity.

For the maritime community, the series is poised to resonate deeply. While fictional in structure, it draws heavily on archival accounts and testimonies, reigniting conversations about safety at sea, the responsibilities of shipowners, and the legacy of maritime inquiries.

More than just a disaster series, Heweliusz positions itself as a work of cultural memory: a tribute to the victims and a sharp look at the interplay of tragedy, politics, and human resilience.

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Kamil Kusier
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